Lukas Truniger is a media artist, composer and electronic musician, who engages in the areas of multimedia installations, sculptural objects, performances and the creation of new musical instruments. He is fascinated by the intangible, the invisible and the complex in nature such as emergence or biological interactions, as well as in society in the form of language, (artificial) intelligence or human infrastructures. For the exploration and re-appropriation of their inherent aesthetics he applies self-made code and circuits, hijacked tools and objects of mass consumption, to establish singular experiences challenging the modalities of our perception. His work establishes singular experiences challenging the modalities of perception.
Born in Zürich (CH), he lives and works in Lille in northern France. He obtained a music degree from the Institute for music and media (IMM) in Düsseldorf (D) and a post gradual diploma in fine arts from Le Fresnoy – studio national des arts contemporains in Tourcoing (F).
His installations and performances have been shown internationally in the framework of various exhibitions and festivals: City Sonic in Louvain-la-Neuve (BE), Mapping Festival in Geneva (CH), Mirage Festival in Lyon (F), Pearl Art Museum in Shanghai (CN), Burning Man (US), Dark Circuits Festival in New York (US), Seconde Nature in Aix-en-Provence (F), Variation Media Art Fair in Paris (F), Sonica in Glasgow (UK), International Digital Arts Biennal (BIAN) in Montreal (CA), International Symposium for Electronic Arts (ISEA) in Hong Kong, PrixCube in Paris (F), Festival 100% in Paris (F), Marrakech Biennale (MA) and E-Fest in Tunis (TN).
He is represented by Bipolar, a production and distribution agency for digital art located in Montpellier (F).
Burning Man Black Rock City Art Honoraria
DICRéAM – Centre National du Cinéma (CNC)
Le Cube, centre de création numérique
Les Pépinières Européennes de Création
Pro Helvetia, Swiss Arts Council